In this paper I am analysing a tribunal play, Justifying War by Richard Norton-Taylor, which covers Lord Hutton's inquiry about Richard Kelly's death. This is a tribunal play, with the dialogue written in the verbatim style, which means that the time and place of the play closely follow the real life events. No names were altered, everything is presented in its true form because tribunal plays mirror the historical events completely. That is why in the first part of this paper I am presenting the historical context and in the second part analysing the play, the genre it belongs to (tribunal), life of the play on the stage of both Tricycle and Edward Alderton Theatre, TV adaptation (BBC in 2004), including its reception of media and audience
In this essay Adrienne Scullion explores the representation of war – and in particular of the Second...
This original study explores a vital aspect of early modern cultural history: the way that warfare i...
An interesting feature of post-1956 British drama is the concern of many playwrights to explore prob...
In this paper I am analysing a tribunal play, Justifying War by Richard Norton-Taylor, which covers ...
The tribunal plays produced at the Tricycle theatre in Kilburn, North London have come to represent ...
Tony Blair’s decision to sanction a military intervention in Iraq in 2003, alongside the United Stat...
The article focuses on one of the most controversial plays in contemporary Irish theatre, Richard N...
This thesis examines the “post-truth” political environment through a retroactive exploration of iss...
This thesis explores theatre's capacity to act as a medium for the 'production' of history. Proposin...
The present article undertakes an interdisciplinary inquiry into contemporary British verbatim theat...
This book investigates a range of formal strategies deployed by theatre-makers in Britain in respons...
Thomas Dekker and John Webster'sThe Famous History of Sir Thomas Wyatintertwines Lady Jane Grey's en...
This project shows how Shakespeare’s English histories have been problematically made into cycles on...
Traditionally, Shakespeare's Henry V is viewed as either pro- or anti-war, but the play actually rev...
My dissertation draws on recent methodological and theoretical developments in social history in ord...
In this essay Adrienne Scullion explores the representation of war – and in particular of the Second...
This original study explores a vital aspect of early modern cultural history: the way that warfare i...
An interesting feature of post-1956 British drama is the concern of many playwrights to explore prob...
In this paper I am analysing a tribunal play, Justifying War by Richard Norton-Taylor, which covers ...
The tribunal plays produced at the Tricycle theatre in Kilburn, North London have come to represent ...
Tony Blair’s decision to sanction a military intervention in Iraq in 2003, alongside the United Stat...
The article focuses on one of the most controversial plays in contemporary Irish theatre, Richard N...
This thesis examines the “post-truth” political environment through a retroactive exploration of iss...
This thesis explores theatre's capacity to act as a medium for the 'production' of history. Proposin...
The present article undertakes an interdisciplinary inquiry into contemporary British verbatim theat...
This book investigates a range of formal strategies deployed by theatre-makers in Britain in respons...
Thomas Dekker and John Webster'sThe Famous History of Sir Thomas Wyatintertwines Lady Jane Grey's en...
This project shows how Shakespeare’s English histories have been problematically made into cycles on...
Traditionally, Shakespeare's Henry V is viewed as either pro- or anti-war, but the play actually rev...
My dissertation draws on recent methodological and theoretical developments in social history in ord...
In this essay Adrienne Scullion explores the representation of war – and in particular of the Second...
This original study explores a vital aspect of early modern cultural history: the way that warfare i...
An interesting feature of post-1956 British drama is the concern of many playwrights to explore prob...